Karoly Eberges wants to make a film about the persecuted priests in the five-year dictatorship of Rakosi. Now you have finally succeeded. The Hungarian PassionIn representatives of the Catholic Church personify absolute good, communists personify absolute evil. Among the latter, only one capricious officer had any hope of a purge. Who can help him with this: Karoly Ebergis, director and protagonist. Cash.
Today, Hungarian film production suits those who yearn to go back to the 80s. Recently Posted delete frank It made a memorial for the underground music scene of this decade, with many important figures of the era appearing in supporting roles. arrive soon detective, Preparation is underway Ildico Ennediof some kind Balaton BrigadeThese are two new series from the ’80s. In addition, you will now go to the cinemas Caroly Ebergis His first feature film recorded as a director, Hungarian Passion, which takes place in the dictatorship of Rakosi, but judging by the choice of subject, looks as if it was done in the 1980s.
At that time, it was already possible to openly criticize the Stalinist years, as long as the creators remained unabashedly silent that the Kedar system had anything to do with its predecessors. Watching Hungarian films of that period, we see that in 1956 a sad chapter of Hungarian history ended. It was better not to talk about the sequel, rakosi However, his horror was no longer a taboo topic. There have been a series of films in which a young man exposed to power finds himself in a moral dilemma: should he work with the Communists for the sake of his career or just to survive? Can it get out of its coercive role in the dictatorship?
The Angie VeraAnd Minisgazda, a You torn life!, a The day before yesterday And even ten or fifteen films, mostly Hungarian films, shown in the first half of the eighties, follow the direction of Prešov. The Hungarian Passion Its protagonists are fictional characters, but at the heart of the film an event occurred: the banning of monastic orders in the summer of 1950, and the deportation of thousands of monks, priests and nuns is a historical shock that Preshov said he wanted. To make a movie five years ago.
“It’s like Katyn to the Poles to us,” the director and protagonist set the film’s personal stakes high before a press screening. He intended that neither the director nor the protagonist would be himself anyway, but in the end it turned out that he could not entrust these tasks to someone else, which his friends were not surprised (“You have to go through this, strawberry said).
a Peter Farnay Made of Unpublished Drama Honorary Agent Hungarian PassionIn Prešov, he plays Father Leopold, who leads devotees in a small, unnamed Hungarian settlement – the film was shot at the mausoleum in Mariabseny – surrounded by the love of the locals and his fellow monk. However, one of the officers of the State Defense Authority, the Russian Fedorov, wants to steal the valuables kept in the Leopold Church at any cost. When the Central Order arrives to expel the monks, Leopold is placed in solitary confinement and they want to extract a confession from him, most notably the whereabouts of the precious treasures.
Preshov and his screenwriters tell clearly, and simply, along the templates. ÁVH’s flagship is a freak, the thief is evil, he also has a scar. Brother Leopold is undoubtedly an infinitely pure soul and does not break in vain, holding his hand to a wooden beam (Andras Balint Kovacs The film historian described the Rakosi regime in the 1980s as a “historic horror,” Hungarian PassionFits well too). The most complex character belongs to Géza Keller, lieutenant-general of ÁVH, who must sign the apocryphal confession with Leopold. He’s also a well-known “volatile” from the Hungarian film of the eighties: the man of the future, still bound by the morals of the past, thus puts him in a dilemma as to whether to serve the unprincipled communist gentlemen. Intentions – that is, in this inaccurate story the ordinary intent of theft – you will soon see. Is Leopold’s faith touches the young communist officer? Will he be able to purify himself, or will he be drawn more into the quagmire of Stalinism? these Hungarian Passion Her main questions, and Preshov does not remain indebted to the answers.
It is clear that the phrasing and stylistic tools of the film are determined by the strong personal commitment of the director. We see a Christian moral drama in which members of the Catholic Church represent the ultimate good, and all but the greedy Communist officers are greedy pigs. The dramatic tension is weakened by the fact that these two poles are formed in the first minutes and do not become more subtle later. The excitement can only be sparked by the evolution of Keeler’s inner wrestling.
The protagonist is forced to react slightly differently to the same recurring events, which puts the protagonist in a difficult situation. Peter Telix. “Break this chaos! Fyodorov orders Keeler. “You have to break the chaos!” He obsessed at him after half an hour, then in the last third he instructed the lieutenant to “prove that he can break the chaos.”
At such times, the protagonist obediently descends to the basement to break the chaos, but Leopold prays to the Lord every time and signs nothing, and Keeler becomes more and more frustrated.
The story, stumbling around in one place, is brought to life by flashback scenes that look back at the peace of the monastic order. these Hungarian Passion The most interesting part, which shows the work of historical research and the director’s knowledge of the topic. We have long seen a Hungarian movie that made the interiors of the church very attractive and showed such friendly priests. The Hungarian Passion Not particularly stunning, but his boxing isn’t clearly bad. Preshov and Sandor Csukás Cinematographers can approximate the characters in a trap situation, but unfortunately the characters don’t get any more interesting even if we can examine them closely. Moreover, its schematic features stand out even more.
a Hungarian Passion A moving depiction of a grave historical injustice. We hope to connect with viewers who considered it important to produce a feature film on the subject of Christian persecution in the 1950s. As it moves to movie theaters, Karolyi Eberges’ directing may reach a wider audience, but the question is how many people will really be affected by the story of Father Leopold’s martyrdom in the absence of a more accurate wording and a more tense, dramatic story. in the eighties Peter Paxo-, Gabor Pal– And Zsolt Kézdi-KovácsHowever, movie fans should be on the lookout.
Hungarian Passion (2021) 90 min. 24 hour rating: 4/10.
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